Emptiness is one of the most interesting and difficult concepts in Buddhist philosophy. Traditional and modern scholars have attempted to interpret it in various ways. Based on my proposed typology of nothing, in this talk I will classify the different conceptions of emptiness in various Buddhist philosophical schools. I will also discuss relevant concepts in Chinese and Western philosophy.
Jointly sponsored by the German TARA Foundation, Khyentse Foundation, and LMU, the tenured position is one of just a handful of Tibetan Buddhism professorships in Europe.
This talk discusses how ancient Buddhist authors approached words and their meanings, how they documented meanings, and whether they did conventional lexicography or did away with it.
Xiaonan Li of the School of Foreign Languages, Peking University, and Lingfeng Tan of the Buddha-Dharma Centre of Hong Kong were unanimously selected by the KF Dissertation Award Asia Committee as the winners of this year’s award for their PhD dissertations.
The Aesthetics of Disgust in Sanskrit Buddhist Literature 梵文佛教文學中厭惡的美學
April 20, 2024
Bymaryann
These texts show how the Buddhist intelligentsia in late Indian Buddhism might have reflected on aesthetics and may reveal something about an emerging Buddhist approach.
This talk will draw from the contents of the last imperial catalogue of Buddhist works in Tibetan translation, the dkar chag ’phang thang ma, to shed light on the formation and contents of the earliest Tibetan canons.
